Elevating Your Writing No Matter the Form (Part 1 of 2)

Elevating Your Writing No Matter the Form (Part 1 of 2)

The term “writing” covers a wide range of acts. There is the Great American Novel and direct mail flyers. Ad copy and speeches. Screenplays and novels. Radio scripts and web content. Being able to put words on a page takes many forms, not all of them lofty or noble. Sometimes all you need is a well-crafted email or text. That is the wonder of writing and human communication. It comes in all forms.

No, the problem is not with the form writing takes, but with the mindset many writers have when faced with what many consider “pedestrian” work. Their minds become pedestrian, bland, complacent, and it doesn’t have to be that way. You can elevate your writing no matter what form it takes, whether it’s the opening of your manuscript or a simple introduction. Here’s an example of what I mean.

Timing, Pacing, & Tension: What Are They and How Are They Different? (Part 1 of 3)

Timing, Pacing, & Tension: What Are They and How Are They Different? (Part 1 of 3)

Everyone knows that comedy is all about timing. A joke succeeds when the punch line is delivered at just the right moment. As they say, “Timing is everything.” But what does that mean in terms of writing a novel or longer form of storytelling? How do you manage timing? And how does it differ from duration and pacing? How does it influence tension? Those are the questions we are going to tackle in this short series.

Writing the Emotional Arc (Part 2 of 2)

Writing the Emotional Arc (Part 2 of 2)

A story hinges on the inciting incident—the event that pushes a protagonist outside of her status quo and forces her to move in a new direction. The inciting incident presents a choice: to stay and deal with the new circumstances or to move beyond what’s comfortable to go after what the protagonist really wants, facing new challenges along the way. It really isn’t a choice since it wouldn’t be much of a story if the protagonist stayed where she was. Thus, the inciting incident starts the journey.

Writing the Emotional Arc (Part 2 of 2)

Writing the Emotional Arc (Part 1 of 2)

The point of any story is to engage the audience or reader. It’s why the hook is so important; it’s the part of the story that grabs the readers’ attention and makes them want to know what happens next. But the ultimate goal is to make your readers’ care about what they are reading or watching.

Finding Work as a Freelance Writer

Finding Work as a Freelance Writer

This past year has been a tough one for everyone. The lockdowns have torn up our economy and caused many creatives to lose their livelihoods. Contracts dried up, assignments faltered, and paychecks disappeared. But there is hope.

Life as a freelancer has its challenges, now more than ever, which is why it helps to be creative in finding solutions. Now is not the time to stick to the usual.

Work is out there. Here are a dozen places to try to find it:

Location Scouting—What Writers Can Learn from Filmmakers

Location Scouting—What Writers Can Learn from Filmmakers

One of the first steps in pre-production, after developing a treatment and writing the screenplay, is figuring out where you can shoot the script. Where can you get those beautiful establishing shots and find sets to bring the story to life? Where in the world can you find places that look like what’s described in the screenplay or novel it is based upon?

What Do You Do for a Living? A Writer’s Response

What Do You Do for a Living? A Writer’s Response

There are conversations in life that we expect. Ubiquitous questions we all encounter from “What’s your name?” to “Where are you from?” and “What do you do for a living?”

While, being a military brat, I struggle with the second question, it is that last question that gives me pause. What do I do? Do I cop to it or play it down? The first thing that pops in my brain is “What should I say?”