The point of any story is to engage the audience or reader. It’s why the hook is so important; it’s the part of the story that grabs the readers’ attention and makes them want to know what happens next. But the ultimate goal is to make your readers’ care about what they are reading or watching.
Last week, we talked about ways to write faster. The blog was filled with tips and tricks to get those 50k words for NaNoWriMo down more quickly. Though the tricks will work for any project at any time.
Writing faster is a valuable skill. As a professional writer, I know the faster I am able to write, the more I can produce, which means more money. Of course, faster can’t be more important than good, when it comes to clients. When it comes to first drafts, the words matter more. Get them down as fast as possible. You can worry about the quality later.
With NaNoWriMo in full swing, writing faster is a valuable skill. The good news is that it isn’t that hard to rack up words a bit faster than you usually do. Here is the first round of tips to get closer to that 50k word goal.
Last week, we talked about strategies to take on NaNoWriMo, now let’s get into specific strategies you can use to up that word count.
If you are one of many writers who have signed on to do this year’s NaNoWriMo, you are in luck. Here are my top tips for doing it right:
Next month is NaNoWriMo: the National Novel Writing Month. It’s a time when writers around the world hunker down to write 50 thousand words on a novel in a single month. It’s not a small endeavor. So why do it?
Here are my top seven benefits to you from choosing to join NaNoWriMo:
Writing breaks are healthy for every writer. That’s why Figments & Fables is on a two-week break. We will be back next week with new content. Until we return, we invite you to revisit some older blogs:
Coming up with ideas, researching them and then writing useful blogs takes time and energy. For the past few years, I have poured myself into this task without taking any breaks. But the time has come. Figments & Fables will be on break for the next two weeks. While we are away, check out some of our blog series (I will post the first link in each series):
When is good writing good writing? Is it a sentence or paragraph that hooks the reader? It is laud the ability to craft a gorgeous sentence no matter what? Or does noticing that great passage distract from the reading experience?
I think we can all agree there are books that amaze us with their prose and those that challenge us with their awkward phrasing and clunky pacing. It’s a question of quality. We know what works and what doesn’t on a visceral level. But how do we define it? And, more importantly, how do we make sure we’re on the right side of that line with our writing?
Abraham Maslow identified human needs in his Hierarchy of Needs (as described in the last blog). But later in his career, he expanded his hierarchy to include Cognitive and Aesthetic Needs (both of which fall under Esteem Needs) and Transcendence Needs that served as the final level—the level to which we all aspire once our Deficiency Needs are met.
The first two parts of this series focused on using wants and needs to develop characters and laid out the basics of wants vs. needs. Now we’re ready to take a deeper look at needs and the human condition, which will help write better characters.
In the first blog in this series, we explored what wants and needs are in their most basic form. Now we’ll look at how they can be used to design plot and characters. [Warning: This blog includes spoilers for some novels, so if you have not read the books or seen the movies, be forewarned.]