Stories are powerful. We all want to know what happened next, how it felt to stare down danger or fall in love or fail spectacularly. It’s exactly those stories that help us connect and feel.
This blog could be like any other out there, sharing the power of story. But what happens if I tell you why stories matter to me? What if I let you into one of my stories before I give you facts on why stories work? Let’s see.
Writers have entire worlds in their heads, filled with characters, locations, stories, and consequences. It’s a lot to keep track of when creating a story or series, which is why series bibles exist.
The final story issue in our series concerns inconsistencies in your story, series, and world. In other words, contradicting facts in your story’s canon.
Mary Sues are perfect in whatever they do. They possess skills at an unusually high level with little or no effort required to acquire those talents. They never have to try and never fail. They are the “chosen ones” or the best at what they need to excel in their world or story. They are beloved by all for no obvious reason. They are simply desired. They are attractive, but lack personality in most cases. But they do have power even if they don’t have to work to achieve their goal.
Identifying and avoiding story-related issues in your writing that weaken the experience and characters. While the following list is not exhaustive, it does reflect some of the most glaring issues facing stories today. Ignore them at your peril. Three are character based and the final issue affects every aspect of story. This is part one of a three-part series. More to come.
Themes enhance stories, making them more meaningful. It’s theme that makes a story linger in your memory. It’s theme that provides the touchstone for what happens. It’s what informs everything that follows the opening sequence. Themes matter to the story and your writing. But most of all, theme matters to your characters.
Scenes make up stories. They are the building blocks that form narrative. As writers, we stack scenes together to tell a particular tale. How we write, build, and stack those scenes matters.
In the last blog we defined throughlines, loglines and taglines. Now let’s look closer at throughlines—the most important of the three.
The throughline is a single thread that winds through your story and off which everything else hangs. It drives the writing and organizes the plot, action and character development. The throughline is the main motivation driving the protagonist toward the ending. It is what holds your story together so it can be a story instead of a random collection of anecdotes and scenes. A good throughline is how you propel your story forward in a way that makes sense.
In the last blog, we discussed what first lines of stories need to include. Now we’ll look at ways you can improve your opening lines.
First sentences are paramount to stories. They are the first impression. The hook by which readers are tempted to continue on instead of tossing the book back on the shelf so they can keep looking. They are a portal to the story itself.
In part one of this series, we talked about how and why film editor Walter Murch’s famous Rule of Six works equally well for novelists. Now let’s break down each of the six rules: