Being fired is the worst. It never feels good being let go for whatever reason. But sometimes it is necessary. As a freelance writer, there will be times (see our previous blog as to when those times are) when you need to fire a client. In the first part of this two-part blog, we covered when this is a good idea. Now it’s time to look at how to do it.
Here are some tips for how to fire a client:
Sometimes being your own boss has its downsides. Mostly when those clients who pay the bills and keep your writing career afloat aren’t as supportive and wonderful as you’d like. When clients cross the line from professional to unprofessional, it’s time to cut ties. That’s obvious. But being unprofessional is not the only reason to sever ties with a client.
Here is my master list of reasons to fire a client:
In previous blogs, we covered what to say in your writing and how. The last blog covered a list of quick tips for writing in various formats.
This blog will focus solely on writing for the ear—speeches, radio scripts, podcasts, narration tracks, and other audio forms. This type of writing is different than writing for the page.
The first two blogs in this series spoke to finding what to say in a blog, speech, article or podcast script, or other short form of writing. You can find them here and here.
Now we’re going to move onto practical tips to help you write your piece. Here are some quick tips to keep in mind:
Figuring out how to begin is always tough for writers. It’s the first big hurdle in the writing process. But with a little help, it doesn’t have to stop your progress.
This series breaks down the steps to figuring out what to write or say. To read the first blog in our series with steps one, two and three, click here.
Before you can write, you have to have something to say. It’s a pretty simple concept of putting ideas before words. Still it’s funny how often people sit down at their computer and expect to write a flawless article or speech without first considering how to develop their idea.
Now I get the whole “pantsing” it idea, but when it comes to writing short form pieces, it pays to get the idea clear in your head before you begin.
In the last blog, I shared the first five steps to effective client writing. Below are the final five steps to providing your clients work that fills their needs:
Effective writing can mean so many things, depending on the type of writing you are talking about. But when to comes to client work, effective writing means work that meets a goal and does its job. It’s that simple. And that hard.
There is a reason we all sit down and pick up a pen or tap at the keys. We all have something pushing us to begin. While we may have our various reasons, what it comes down to is a love of words and writing, feeling that imperative to capture the human experience in written form. The problem is that so many people feel the only way to pursue a life as a writer is to pen the great American novel. Now I’m not going to say writing fiction isn’t a noble pursuit, I’m pursuing it myself after years of nonfiction work. The lure is strong. But what drives me isn’t the form my work takes, but the compulsion to wrangle 26 tiny letters into sentences that convey emotion, story and facts.
Tracking client work will save you time, money and frustration. Here is how I track my client work and clients.
Like most writers, I love the research and writing parts of the job, but don’t care for the administrative tasks that come with the gig—doing the taxes, accounting, legal and tracking everything. It’s easy to let those things slide and I did when I first started out, until I learned better.
It is easier than you think to misplace vital information, lose track of invoices and payments, and forget to track what you send out into the publishing world. The only way to stay sane and solvent is to track everything. It will help your sanity too.
Strong writing requires strong verbs. That’s nothing new. It’s far better to say enraged than angry and exhausted rather than very tired. There are tons of articles about that on the net. What isn’t talked about as often is the ways we soften language.