Writing Blogs
The Beat Beneath the Words—Adding Poetic Techniques for Rhythm
Try adding rhythm to your writing during this April’s National Poetry Month. You don’t need to sound like Dr. Seuss (in fact, I’d warn against doing that). But adding some poetic techniques can make your writing sing. Rhythm moves your readers from line to line to the...
How to Write to Match How We Read
Do we need more facts? Probably not. We’re inundated with them. And yet, there is still a place for providing packaged information designed to solve specific problems. But how our audiences read that information should have an impact on how we deliver it. Here are...
The Power of Specificity: How Adding Small Details Creates Universal Results
There is an axiom in writing: The more specific a story is, the more people see themselves in it. The more specific your story, the more universal your theme. People don’t relate to theme alone. They need a human connection to identify with to feel the theme at work....
Why AI Grammar Programs Are Problematic
This may be a controversial blog for some. Sorry about that, but I feel strongly about good writing and voice, which are in danger when using AI grammar programs. In the last blog, I wrote about the fastest ways to kill your voice and AI featured prominently. Today,...
Fastest Way to Kill Your Writing Voice
Your writing voice can be as powerful as your speaking voice, if you don’t kill it It’s as much of you as your face, hair, and fingerprints. But more importantly, your voice is how you stand out on the page. It’s what makes your writing sound like you. The stronger...
The Fantasy of a Perfect Setup to Write
Do you ever see a writer in a film or television show and think “If only I had that setup, I could write a bestseller”? It’s so easy to get caught up in the idea there’s a perfect place, desk, pen, situation that would change everything for our writing. But it’s a...
Special Notice for Subscribers
Dear Friend, Remember me? I know it’s been a while since you’ve heard from Figments & Fables and I apologize for that. Thank you so much for supporting Figments & Fables, especially during my extended sabbatical. I’m humbled so many of you remained subscribed and am...
Creating a Solid Writing Process: Finding What Works for You (Part 2 of 2)
Finding a productive writing process can help the act of writing come easier to you and reduce the friction associated with writing.
Creating a Solid Writing Process: Finding What Works for You (Part 1 of 2)
The hardest part about writing is starting. It’s like anything else in life, taking those first steps takes more energy than it does to keep going.
Top 12 Tips for Critiquing Someone Else’s Work
I am often asked to critique my friends’ work. I consider it an occupational hazard. Of course, I also offer manuscript critiques as part of my business. I enjoy doing them, but recognize they can present a few challenges and always proceed with caution.
9 More Signs of Amateur Writing and How to Fix Them (Part 2 of 2)
The last blog outlined nine signs of amateur writing and how to fix them. This blog continues that list with another nine ways new writers show their inexperience.
Here is the second set of nine signs of amateur writers and how to fix them:
9 Signs of Amateur Writing & How to Fix Them (Part 1 of 2)
Writing is a skill. It takes time to master. That doesn’t mean you can’t earn a living writing before you achieve an expert level, but you will need to refine your skills to have a career.
Here are 9 signs of amateur writing and how to avoid them:
Interrogating Your Characters: How Asking Questions Will Lead to Stronger Writing (Part 2 of 2)
In Part I of this series, we examined some ways to dig deeper into your characters’ motivation and figure out their stakes in the plot. Now let’s go even farther by asking your characters:
Interrogating Your Characters: How Asking Questions Will Lead to Stronger Stories (Part 1 of 2)
The only thing that matters in fiction is why. Why does what is happening matter to the protagonist and other characters? Why should we care? It’s not enough for things to happen to your characters. You have to know what it means to each of them and how it affects their lives. This means you need to know what makes your characters tick. Why they make the choices they do. Why they react the way they do. Why they don’t just walk away.
Elevating Your Writing No Matter the Form (Part 2 of 2)
Writing should inspire, motivate, educate, illuminate, inform, persuade, and engage. To do this, it has to rise above the basics and become something more.
In the first part in this series, we explored two introductions used in the television series The West Wing as an example of how to elevate writing from the barely functional to an art. Now let’s break down some practical steps you can take to elevate your writing.
Ten ways to improve your writing:
Elevating Your Writing No Matter the Form (Part 1 of 2)
The term “writing” covers a wide range of acts. There is the Great American Novel and direct mail flyers. Ad copy and speeches. Screenplays and novels. Radio scripts and web content. Being able to put words on a page takes many forms, not all of them lofty or noble. Sometimes all you need is a well-crafted email or text. That is the wonder of writing and human communication. It comes in all forms.
No, the problem is not with the form writing takes, but with the mindset many writers have when faced with what many consider “pedestrian” work. Their minds become pedestrian, bland, complacent, and it doesn’t have to be that way. You can elevate your writing no matter what form it takes, whether it’s the opening of your manuscript or a simple introduction. Here’s an example of what I mean.
Timing, Pacing, & Tension: What Are They and How Are They Different? (Part 3 of 3)
Timing, Pacing, & Tension: What Are They and How Are They Different? (Part 2 of 3)
Pacing is often confused with timing, and understandably so. They do overlap in some ways. But while timing is the placement of a scene within the overall story, as we learned in last week’s blog, pacing deals with the modulation of the overall work. In other words, pacing is the speed at which the story unfolds.
Timing, Pacing, & Tension: What Are They and How Are They Different? (Part 1 of 3)
Everyone knows that comedy is all about timing. A joke succeeds when the punch line is delivered at just the right moment. As they say, “Timing is everything.” But what does that mean in terms of writing a novel or longer form of storytelling? How do you manage timing? And how does it differ from duration and pacing? How does it influence tension? Those are the questions we are going to tackle in this short series.
Location Scouting—What Writers Can Learn from Filmmakers
One of the first steps in pre-production, after developing a treatment and writing the screenplay, is figuring out where you can shoot the script. Where can you get those beautiful establishing shots and find sets to bring the story to life? Where in the world can you find places that look like what’s described in the screenplay or novel it is based upon?
Write Faster (Part 2 of 2)
Last week, we talked about ways to write faster. The blog was filled with tips and tricks to get those 50k words for NaNoWriMo down more quickly. Though the tricks will work for any project at any time.
Writing faster is a valuable skill. As a professional writer, I know the faster I am able to write, the more I can produce, which means more money. Of course, faster can’t be more important than good, when it comes to clients. When it comes to first drafts, the words matter more. Get them down as fast as possible. You can worry about the quality later.
Write Faster (Part 1 of 2)
With NaNoWriMo in full swing, writing faster is a valuable skill. The good news is that it isn’t that hard to rack up words a bit faster than you usually do. Here is the first round of tips to get closer to that 50k word goal.
Rules of Writing: What You Need to Know
There are no rules.
Just kidding. Of course there are rules. There are rules of grammar, plot, structure, etiquette and all manner of other aspects of writing and publishing. The problem is there isn’t one, single set of rules. There are many.
How to Recognize Good Writing
When is good writing good writing? Is it a sentence or paragraph that hooks the reader? It is laud the ability to craft a gorgeous sentence no matter what? Or does noticing that great passage distract from the reading experience?
I think we can all agree there are books that amaze us with their prose and those that challenge us with their awkward phrasing and clunky pacing. It’s a question of quality. We know what works and what doesn’t on a visceral level. But how do we define it? And, more importantly, how do we make sure we’re on the right side of that line with our writing?
A Bit of a Word Rant
Like the rest of the pandemic-trapped world, I’m at home social distancing and watching way too much HGTV. It has inspired me to launch a few home improvement projects and write this blog, which is admittedly more of a rant. Sorry. Though I think I do make some good points about using the right word and why that’s important, so please read through the rant to the end. It gets better. And thanks for letting me get this off my chest.
12 Truths About Writing
There are so many blogs out there about writing and they all offer advice. Some of them contain sound advice and some are so vague they barely count as helpful. My intent at Figments & Fables is to share advice and tips that will help someone have a real career, whether in fiction or nonfiction. If I ever stray in this goal, feel free to nudge me back on course.
Writing Is Easy, Right?
We all know that writing is easy, “All you do is sit down at a typewriter and bleed” according to Ernest Hemingway. And that is true to a point. But it isn’t the whole truth. Writing is easy and hard, but it’s also exciting, creative, playful, and relaxing. It feeds the soul and can be magical.
Wants vs. Needs (Part 4 of 4)
Abraham Maslow identified human needs in his Hierarchy of Needs (as described in the last blog). But later in his career, he expanded his hierarchy to include Cognitive and Aesthetic Needs (both of which fall under Esteem Needs) and Transcendence Needs that served as the final level—the level to which we all aspire once our Deficiency Needs are met.
Wants vs. Needs (Part 3 of 4)
The first two parts of this series focused on using wants and needs to develop characters and laid out the basics of wants vs. needs. Now we’re ready to take a deeper look at needs and the human condition, which will help write better characters.
Wants vs. Needs (Part 2 of 4)
In the first blog in this series, we explored what wants and needs are in their most basic form. Now we’ll look at how they can be used to design plot and characters. [Warning: This blog includes spoilers for some novels, so if you have not read the books or seen the movies, be forewarned.]
Character Wants vs. Needs (Part 1 of 4)
Stories are about character. Sure, you can have an action film with little more than special effects and plot (think Transformers), but those kinds of stories have little emotional impact. They are fun while you’re watching them, but they don’t linger. They don’t make the audience think. Or feel. For those reactions, you need characters who want things and need things.
Wants and Needs are two elements that drive stories. They determine plot and character. Story and resolution.
Introducing Characters (Part 4 of 4)
Introducing Characters (Part 3 of 4)
In the previous two blogs, we looked at some basic advice and criteria for introducing characters—the lifeblood of any story. Now we’re going to go deeper and look at various examples of the ways in which you can bring your character to life the first time you introduce them to your reader. As you can imagine, this is a huge topic, so these examples will be broken into two blogs to finish out this series on character introductions. Now to begin…
Ways to introduce characters:
Introducing Characters (Part 2 of 4)
The first blog of this series laid the foundation for character introductions. Now we’re going to go deeper into ways to introduce characters. The final two blogs in this series will explore each type of introduction with specific examples and explanations.
Bringing your characters to life begins with the introduction, no matter whether it’s in fiction or film, it’s how you choose to begin that matters. There are many options:
Introducing Characters (Part 1 of 4)
Characters make stories. They are why we read. They are how we escape into someone else’s life, experience trials foreign to our own. They provide inspiration to keep going during struggles. Getting to know them helps us learn and feel. They change us.
Characters are why we care. They are why we keep turning pages and stay glued to the screen.
Writing Lessons: Learning the Craft
There’s so much info available about writing—blogs, videos, classes, lectures, workshops, conferences, books. It’s easier now than ever to learn more about the craft and that’s amazing. It’s essential to work on your skills, to learn how grammar, structure and mechanics work in writing, and how to improve the other elements of good fiction and creative nonfiction.
But (there had to be a but, right?)…
My Top 12 Truths about Writing
There are so many blogs out there about writing and they all offer advice. Some of them contain sound advice and some are so vague they barely count as helpful. My intent is to share advice and tips that will help someone have a real career in this business, whether in fiction or nonfiction. If I ever stray in this goal, feel free to nudge me back on course.
Resolutions for Writers (Part 2 of 2)
’Tis the season for resolutions. In Part I of this two-part series, we talked about ways to learn, stretch your skills, connect, be kind to yourself and commit to reading and writing in the new year. Below are more resolutions to take up in your pursuit of writing.
Writing Rules & Instincts
There’s a writing axiom that states everyone should learn the rules before they break them. I happen to agree with this rule. But I also believe in breaking rules. It’s a tenuous position for a blogger who focuses on how to write. Today’s blog is about what I truly believe.
Trust your instincts.
Tension: Breaking Down Goldilocks and the Three Bears
The past few blogs we’ve focused on complications, tension and raising the stakes. Now we’re going to look at how that plays out by breaking down a fairy tale. We’ll begin with Goldilocks and the Three Bears.
The story typically starts out with the bears discovering their porridge is too hot and deciding to go for a walk, leaving their home unoccupied. I say typically starts out because there are many versions of this tale, each with its own quirks and variances. But let’s work with this opening as the hook. Talking bears who live in a house and eat porridge. Check. I want to read that.
Tension: Raising the Stakes
This blog examines the types of stakes you can use to raise tension to its highest levels.
A good place to begin is with some questions:
What happens if the protagonist fails?
What is at stake? Personally? Publicly? Morally?
Why can’t your protagonist just walk away?
Adding Tension to Your Story
Tension is a key element in storytelling. It’s that strain and uncertainty that hooks the reader. What’s making that creaking sound? Will the hero save the world? Can the kidnapped boy escape before the villain returns? Will the heroine ever recover from the spell the witch cast or is she doomed forever?
Putting your characters in peril pulls your reader into the story and makes it interesting. When there’s no tension, stories can feel flat or boring. But how do you add tension to a story?
Pocket Writing and NaNoWriMo
It’s October and writers everywhere are scrambling to prepare for NaNoWriMo—that one month when dreamers put pen to paper and write. Fifty thousand words in thirty days. It’s a glorious, exhausting plunge into writing that I highly recommend trying.
The trick to NaNoWriMo is to take the motivation you feel during November and experience it throughout the year when it’s back to just you and your words. No fellow writers feeling the pressure. No write-ins or all-nighters with like-minded folks. No common goal for the month.
Sensory Writing: Taste (Part 6 of 6)
Taste is directly linked to smell. It, like smell, also happens within the body. We have to take in the food in order to taste it. Taste cannot happen passively. It is an active act, a decision. We drink the wine, eat the pizza, and savor the chocolate. As it’s linked to smell, I am going to limit my commentary, but I highly encourage you to include taste in your work.
Sensory Writing: Smell (Part 5 of 6)
Experts say that smell is the sense most closely related to memory. The one that can transport us in time. It is also the sense I am least able to discuss. I was born without the sense of smell (congenital anosmia). I have not smelled anything in my life. Never will (so please do not ask me to smell things, especially things like ammonia. Been there—done that—can’t smell it).
Sensory Writing: Touch (Part 4 of 6)
When we’re young, we learn about the world through touch. We put dirt in our mouths, Run our toes through the grass. Embed our hands into the dog’s shiny coat. As we grow, we learn not to touch dirty things and to keep our hands out of our mouths, but we never lose that desire to touch our world—to run our hands over objects of our desire.
Sensory Writing: Sound (Part 3 of 6)
Hearing is a physical reaction within the eardrum. A vibration that carries meaning. Everything your character hears should do the same. It should resound within the story or characters.
Sensory Writing: Sight (Part 2 of 6)
Welcome to the Sense Series. The first part was an overview of sensory writing. Now we’ll tackle one sense per week. First up: Sight.
Sight is the most common sense used in writing and the most important. Visual words and phrases bring that world to life. Through words, we recreate the world around us or invent an entirely new world for our reader.
Sensory Writing (Part 1 of 6)
We experience the world through our senses, through what we see, hear, touch, taste and smell. It’s our senses that define our existence, which is why it is imperative to incorporate sensory writing into your work.
Senses take a flat world and transforms it into a fully realized one with depth, texture and vibrancy. All five senses should be integrated into your description somewhere. If your story takes place in the woods, you might talk about the dappled lighting, moist ground, and sounds of the birds and animals moving about. It might smell of wet Earth or decomposing leaves. If your story takes place in a bakery, I would hope there would be talk of scents and tastes—touches of vanilla and chocolate and the feel of warm cookies straight from the oven. The goal is to offer details about your world through the five senses, not just sight and sounds, which are the most easily accessed and obvious.
Setting and Set Dressing (Part 3 of 3)
Setting is more than the broad location and time. It is everything contained within that space—the items and props that your characters handle and face.
Setting and Set Dressing (Part 2 of 3)
Setting is an essential element in any story. It provides context and a space for your characters. When wielded properly, it can do more than simply list what your characters can see. It can support every other aspect of your writing.
The last blog covered the basics of setting. Now it’s time to explore ways to use setting to its best advantage.
Setting and Set Dressing (Part 1 of 3)
Story requires place to make it come alive. Writing setting is much like the job of a set designer for the stage or screen. The trick is to discover ways to bring your setting to life. This may mean describing a building, a forest, a living room or some other place where your characters can move about their lives. This is setting. It includes everything from location to descriptions of the dishes on the kitchen table.
Show Versus Tell: The Case for Showing
Show versus Tell is an age old battle for writers. Deciding when to show your world to your readers and when to tell them facts is a balancing act. Good writing requires both styles. In the last blog, we covered when to tell. This blog focuses on showing—the powerhouse of writing.
Showing gives your reader a more immersive experience. It’s the difference between reading a newspaper article and a novel. One gives the facts with a sprinkling of details and description. The other invites the reader to experience the story along with the character. It’s engaging.
Show Versus Tell: The Case for Telling
Every writer has learned the first rule of writing: “Show don’t tell.” It is the preeminent bit of advice for writers of all levels and yet it remains one of the most misunderstood and confusing rules. Sure, it’s easy to understand why you shouldn’t tell your story from start to end like a person at the party who keeps saying, “…and then we…” with no end to the boredom. But it is not so easy to figure out what telling is versus showing. Sometimes they seem a lot alike. It all depends on how you write. The truth is good writing combines both showing and telling.
Write What You Feel
Every writer has heard the advice to write what you know, and it is good advice to a point. It’s impossible to write about things you don’t understand. But the problem with this advice is that writers can learn. We can research and pick up the facts. We can break down a problem and find experts to explain the mechanics of how things work. Heck, we can even watch documentaries to see how things came about and how to videos to see it in action. What we cannot do is know how those situations feel without understanding the emotions associated with it. We can’t find the story behind things if we can’t empathize with it.
When to Quit Writing…and When Not To
Writing is hard. Words don’t flow out easily and land on the page as genius. They need to be selected, ordered, rearranged, swapped, lined up and perfected. Most times they are not cooperative companions though. They are like the unruly child who doesn’t recognize the word “no” even when yelled and accompanied with hands held face out.
There is a reason so many talk about writing instead of doing it. The trick to making it as a writer is not quitting when it gets tough.
Your Reader
Audience is everything. Readers define how to approach a story and what words to choose. Knowing our readers frames our work as writers. You wouldn’t start a project for children the same way you would for seniors. In my last blog, I wrote about knowing your audience. This blog follows up with some concrete tips to write with your reader in mind.
Writing for Your Audience
Stories serve an invaluable purpose. We all tell stories, whether in printed form or by gathering around a table and sharing an anecdote. It’s how we’re going to survive the upcoming holidays with family because stories are how we communicate with each other, and how we remember and frame experiences. It’s the foundation for human interaction. If we didn’t have stories, how would we ever capture how awful a date was or how moving an unexpected kindness?
The Trap of Writing Clean
I began my professional writing career with a major corporation. Soon after starting that job, I was thrilled when my boss praised me for writing clean. What my boss was trying to say was that she liked that I could write quickly and needed few edits (mostly for those darned dangling participial phrases I love). The problem with her praise was that it stunted my growth as a writer. I leaned into the idea of writing clean and gladly whipped up assignments with little to no edits and called it good. My boss was happy. I was happy. What more did I need to do?
The answer was: a lot.
“Rules” of Writing (Part 3 of 3)
“Rules” of Writing (Part 2 of 3)
There aren’t any hard rules for writing, outside of grammar, but there are guidelines that help. In this series, I outline the most common axioms of writing. If you missed the first part of this article, you can read it here.
Here is the second set of guidelines for good writing:
“Rules” of Writing (Part 1 of 3)
Blogs, books and articles often tout the “best” ways to write, but I am sorry to tell you there are no rules for writing—no easy short cuts. There is grammar, which is essential. There are the various elements of craft. And there are some axioms that hold true, which, while I won’t go so far as to call them rules, are great guidelines.
These are what I want to share today—the Axioms of Writing:
Loglines: How They Can Improve Your Writing
In film, producers often use loglines to discuss the content of a film. A logline is a summary of the dramatic narrative in a story that makes it easier to encapsulate the idea and sell it. Basically, a logline is the core essence of your story in 25 words or less—the shortest form of narrative summary.
Make a Stand Against Self-Censorship
I am against censorship of any form. Even the idea of censorship makes me angry. I’ve shared about this before in a blog about Banned Books, which was a blog about external censorship. Today I want to talk about the more insidious form of internal, self-censorship.
Two Pitfalls to Avoid in Writing
They say imitation is the highest form of flattery, but I think they are wrong. Too often this sentiment leads to people trying to be someone they are not. In writing, it means imitating their writing style or voice to tragic ends. We’ve all seen it—copycat novels and writers trying to be the newest (insert famous author here).
Start from the Heart
Somehow sitting down to plot a story always feel like an intellectual exercise. It’s a logical timeline of things that happen and the resultant consequences. But the trick to telling a good story does not come from the head—it comes from the heart.
Previously Published: What It Means and How It Affects Your Work
You want to get your work out there. You want to gain an audience. You want to build a platform. And so you post. It’s so easy. There are countless platforms and opportunities from personal blogs and websites to sharing sites, like Wattpad, not to mention digital media outlets. The problem is reckless posting can undermine your ultimate goal.
Top 40 Writing Tips
Being a writer requires a strong foundation in many things. It’s more than banging out a few lines and hitting post. Like any profession, there are basics every writer needs to master. Grammar is your foundation, but there’s so much more.
Story doesn’t rely on how to use a semicolon or the definition of a dangling participial phrase. It needs understanding and ideas that come from a broader education and perspective.
NaNoWriMo: What You Will Learn
Last week, I shared my reasons for joining the National Novel Writing Month (NaNoWriMo) Challenge to write a 50k book in 30 days. But I have more to say about the benefits of taking on such a large writing challenge.
Anytime you can set aside a chunk of time to write is a good thing, but dedicating an entire month to a huge goal allows you to be heroic about it.
My Writing Process: 20 Steps to Finished
Clients often ask me about my process, wanting to know how I am going to spend my time on their project. It’s not an easy answer. I approach every project differently depending on what I’m writing. A script is different than a speech, which is different from an article or blog. There is no one answer. But there are basic steps in common.
My Writing Process: The Top 7 Things I Need to Know Before I Begin
There are basic details I need before I start any project. They determine how I begin and how I set up the piece. It also sets up my process, which I will discuss next week.
These are the top seven things I need before the first word is written:
Being Productive on the Clock—20 Tips to Timed Writing
I know a lot of writers who excel when pressured by the clock. There’s something about crunching a deadline that spurs the creative juices.
Engaged Observation: How It Will Change Your Writing
The best writing transports us to another world, another life, another experience. The only way to reach this level of writing is to change the way you interact with the existing world.
So often we go through life focused on facts, our phones and our to-do lists and not the moments as they pass. We’re too busy looking ahead or behind to see what is. The sad fact is few of us are truly engaged in our lives. It’s one reason we are so often surprised by how quickly time has passed. Where did the summer go? It’s Christmas already?
Lessons in Location and Setting
Setting is key in any story, whether you’re talking novels or films. Setting is what gives a story a sense of place, ambience, mood and texture, so picking the right location is everything. Stories set in New Orleans are vastly different than those set in New York or Hong Kong. Even neighborhoods have different nuances—think Chinatown versus Greektown or Queens versus the Bronx.
Write What Excites You
This blog had a variety of titles: Be you. Follow your heart, not trends. Write for more than the money. My problem picking one was because they all fit and boil down to the same thing: write what moves you. Write the story that keeps you up at night and won’t let go. Write the character who whispers in your ear. Write what intrigues you.
The Power of Three
You could argue that three is the most powerful number in the world. It is found throughout literature, music, and movies. It is the reason Mozart’s music, filled with major and minor thirds, soars. It is what governs photographic composition. And it forms the basis for most story structures.
Capturing Plot Bunnies
I spoke to my son’s school recently about writing and the thing that excited the kids most was when I talked about plot bunnies. True, the photos of cute bunnies helped. A lot. Because who doesn’t like bunnies?
Here is what I told them:
Distractions
Life is distracting. There is no doubt about that. Texts ding. Calls ring. Cats need petting. Children want food. There are so many distractions. Even ideas can be distractions.
There is something about the new and shiny that demands attention. Even new ideas. They are exciting and the urge to drop everything and follow where they lead is a strong one. Unfortunately, it is also a great way to end up with a hundred unfinished manuscripts.
Strengthen Your Writing By Being Yourself
There comes a time in everyone’s life when you have to embrace who you are, faults and flaws included, although we may try to avoid being that truthful with ourselves. We love to tell ourselves lies—calories don’t count on Sunday, I’ll make up for it tomorrow. In the end, though, we are ourselves whether we own up to it or not. These lies hamper us and our writing.
Description & Setting (Or Suffering From a Lack of B-Roll)
I work in the film and video industry, when I am not writing speeches, social media content, articles or a novel. Although the novel thing is rather new.
(Okay, it’s not really new, but it’s been recently that have I written the first draft of the only novel I want to edit. So that’s new.)
As I am transitioning from film to fiction, I have run into a host of problems: the biggest being a serious lack of B-roll.
Music in Writing: Compose Your Story
I was a double major in college–Creative Writing and Music. While my parents were not thrilled with my choices, I was, even though it happened by accident.
I wanted to be a singer. It was my goal from an early age. I was that child who would hold her hairbrush and sing for hours, dancing around the basement or my room pretending I was performing in front of crowds. The only odd thing was that I always envisioned myself on USO tours instead of huge stadiums. I wanted to live that iconic image of the Bob Hope show for the troops in war zones, otherwise the touring did not appeal to me.
So off I went to college with the hope of someday cutting a platinum album and going off to war to sing. I was young. It is my only defense. That and being a military brat.
Voice Is Everything
Writing is more than a collection of words strewn across the page. It has life and voice. We hear it when we read to ourselves. It speaks to us and takes on a life of its own depending on the author.
The voice of a story is what makes it come alive in the reading and it is the most important skill a writer can have. It’s what sets one writer apart from another—a Hemingway (short, short sentences) versus a Faulkner (who goes on and on), a Gaiman from a Melville. These are not the same voices. They sound different in our heads. The way these authors string words and sentences together creates different rhythms and cadences as we read along. They pull at us differently.
Below are a few examples of voice in writing. The first example is from one of my favorite authors.
Success Is In the Details
Writing comes to life in the detail. Get those wrong and watch out. Readers will revolt. They will spam your Twitter feed, your inbox and anything other avenue they can use to reach you. People love to correct mistakes. It’s in our nature. Readers most especially. They take their facts seriously, in fiction or no.
Don’t believe me? Try giving incorrect directions in a novel about Los Angeles. Readers will tear you up. There is something that drives people in LA to obsess about their roadways in a way that I have never understood. Read any story set in LA and you will find a jumble of numbers scattered throughout–the 5, 10, 110. Get one turn wrong and let the harassment begin.
The same reaction holds true for any specific group–military, law enforcement, medical professionals, lawyers, etc. Each group knows the verbiage particular to their trade and they know when people are posing.
Are Your Characters Motivated?
Writing requires motivation. It is that thing that requires caffeine, purpose and often a Herculean-sized will power, not to mention the real possibility of therapy.
Motivation is what propels action in both people and characters. It was what gets your butt in the seat and the words flowing, whether like creeping lava or a flash flood.
Motivation is what keeps you coming back day after day to write, even when you don’t feel like it.
The truth is there are days when sitting down to write is not easy, before the first word is even conceived. But no one said it would be easy. It’s not. It is also not the point of this article. We all know writing is hard. (You can talk about your personal motivation with your therapist or friends.)
Use Those DNF Books to Your Advantage
I dislike tossing books aside even when I don’t like them. Sometimes it is out of loyalty to the author, particularly if it is someone I have loved in the past. Sometimes it is because I need to know how it ends, even though the story or characters are disappointing. Sometimes it is simple stubbornness to finish what I have begun.
These books can be helpful though.