Freelance writers need clients. They are the lifeblood of a strong freelance business. They pay the bills and keep the dream alive. As such, it pays to take care of them and nurture those relationships.
For the purpose of this article, I will lump editors and publishers (both traditional and online) in with clients. The tips below work for anyone who hires you to write for them.
Scenes make up stories. They are the building blocks that form narrative. As writers, we stack scenes together to tell a particular tale. How we write, build, and stack those scenes matters.
You’ve finished your project and hit send. Then you notice an error. It’s the worst feeling when you find the mistake after submission. Those tiny errors haunt writers, which is why proofreading is an essential step for everyone. It doesn’t matter whether you’ve written an email, presentation or novel. It needs to be error-free.
The sight of school supplies lined up in boxes in colorful store displays brings back memories. There is something magical seeing those pencils sharpened and ready to write new words and stories. It’s a writer’s dream. Even when I was a grade school student, I loved the colors and feel of pencils. Later, I became obsessed with pens and have boxes of them stashed in my office supply closet.
They contain possibilities. Words still unwritten. Stories begging to be released.
Editing can be fun, but it also can be tough. It’s an emotional phase of the writing process that can batter a writer’s spirit. Not all of the time. There will be projects that are easy to write and edit, but I’m not talking about those projects today. Today I’m talking about those larger beasts that tear at a writer’s soul. The projects that make us question whether we can write and why we want to do this in the first place. Those projects are the ones that test our resolve to write.
I am often asked to critique my friends’ work. I consider it an occupational hazard. Of course, I also offer manuscript critiques as part of my business. I enjoy doing them, but recognize they can present a few challenges and always proceed with caution.
Summer is fading, even if the heat persists. It’s back-to-school time and the sales of pens, paper, and notebooks are calling to me as they always do.
In the last blog we defined throughlines, loglines and taglines. Now let’s look closer at throughlines—the most important of the three.
The throughline is a single thread that winds through your story and off which everything else hangs. It drives the writing and organizes the plot, action and character development. The throughline is the main motivation driving the protagonist toward the ending. It is what holds your story together so it can be a story instead of a random collection of anecdotes and scenes. A good throughline is how you propel your story forward in a way that makes sense.
Lots of people talk about writing and being a writer. They dream about book signings and being famous, the photo on the back of the cover, the money. What few do is embrace what it takes to get there. The hard days/nights of work and the roller coaster of emotions that are inevitable. Even fewer actually sit down and write.
If you want to be one of this small group, ask yourself these three questions:
Studying is an eternal state of being for writers. It’s our lifeblood–how we hone our craft and add depth to our work. As Gary Paulson says, “If you want to be a good writer, you’ve got to read like a wolf eats.” I believe that applies to studying too.
The last blog outlined nine signs of amateur writing and how to fix them. This blog continues that list with another nine ways new writers show their inexperience.
Here is the second set of nine signs of amateur writers and how to fix them: