
The Throughline: What It Is, Why You Need One, and How You Create One (Part 2 of 2)
In the last blog we defined throughlines, loglines and taglines. Now let’s look closer at throughlines—the most important of the three.
In the last blog we defined throughlines, loglines and taglines. Now let’s look closer at throughlines—the most important of the three.
The throughline is a single thread that winds through your story and off which everything else hangs. It drives the writing and organizes the plot, action and character development. The throughline is the main motivation driving the protagonist toward the ending. It is what holds your story together so it can be a story instead of a random collection of anecdotes and scenes. A good throughline is how you propel your story forward in a way that makes sense.
Lots of people talk about writing and being a writer. They dream about book signings and being famous, the photo on the back of the cover, the money. What few do is embrace what it takes to get there. The hard days/nights of work and the roller coaster of emotions that are inevitable. Even fewer actually sit down and write.
If you want to be one of this small group, ask yourself these three questions:
Studying is an eternal state of being for writers. It’s our lifeblood–how we hone our craft and add depth to our work. As Gary Paulson says, “If you want to be a good writer, you’ve got to read like a wolf eats.” I believe that applies to studying too.
The last blog outlined nine signs of amateur writing and how to fix them. This blog continues that list with another nine ways new writers show their inexperience.
Here is the second set of nine signs of amateur writers and how to fix them:
Writing is a skill. It takes time to master. That doesn’t mean you can’t earn a living writing before you achieve an expert level, but you will need to refine your skills to have a career.
Here are 9 signs of amateur writing and how to avoid them:
In Part I of this series, we examined some ways to dig deeper into your characters’ motivation and figure out their stakes in the plot. Now let’s go even farther by asking your characters:
The only thing that matters in fiction is why. Why does what is happening matter to the protagonist and other characters? Why should we care? It’s not enough for things to happen to your characters. You have to know what it means to each of them and how it affects their lives. This means you need to know what makes your characters tick. Why they make the choices they do. Why they react the way they do. Why they don’t just walk away.
There are many habits a writer should develop. These are just a few. Let’s call them my top 15.
In the last blog, we discussed what first lines of stories need to include. Now we’ll look at ways you can improve your opening lines.
First sentences are paramount to stories. They are the first impression. The hook by which readers are tempted to continue on instead of tossing the book back on the shelf so they can keep looking. They are a portal to the story itself.
Life is emotional. So is business, whether you want to admit it or not. Sure, you might not be able to cry at your desk everyday or throw temper tantrums in the break room, but emotions do come into play in business.
Organizations use emotion to make you care about their products, services, and causes. They use it as a form of persuasion, which is the art of making you desire something you might not otherwise.