Setting is key in any story, whether you’re talking novels or films. Setting is what gives a story a sense of place, ambience, mood and texture, so picking the right location is everything. Stories set in New Orleans are vastly different than those set in New York or Hong Kong. Even neighborhoods have different nuances—think Chinatown versus Greektown or Queens versus the Bronx.
There are those in freelance writing who advocate (loudly, I might add) to choose a niche and stick to it if you want to make money. I get it. It’s easier to market yourself if you have a specialty. But being a freelance writer should be about more than the money. It should be about the writing. Choosing a niche is not always the best option.
I am often asked why I don’t read ebooks more? Especially given my space issue with my large library. What can I say? I prefer paper. I want to hold the book in my hand and feel the pages as I turn them. I want to browse my shelves and pull books down to flip through old favorites and to search for my next adventure to read. Scanning electronic shelves is not the same. There’s no anticipation of seeing titles from across the room and remembering the moment I found it waiting in a book store for me.
Today’s blog is a bit of a rant about my library—my personal library. Now, I am the first to admit I own a lot of books. Just over 7,000 at last count. But that does not make me weird or a hoarder. I simply refuse to believe that books can be hoarded. A library is a treasure of stories, worlds and knowledge, not a pile of rotting papers moldering in the corner. There’s a difference.
This blog had a variety of titles: Be you. Follow your heart, not trends. Write for more than the money. My problem picking one was because they all fit and boil down to the same thing: write what moves you. Write the story that keeps you up at night and won’t let go. Write the character who whispers in your ear. Write what intrigues you.
Oh, the dreams are big. Quit your job. Write all day. Make a living in your PJs, working your own hours. It’s so romantic. So appealing. The image of the writer is part of why so many people want to embrace the life of a freelance writer or novelist.
Ideas are needy. They’re like flowers that cannot be rushed from seed to bloom. Like a flower needs good soil, sun, water and time, ideas need imagination, nourishment, and to exist in the real world on a page or screen. They also need time.
Ideas are everywhere. If you doubt that, just tell someone you’re a writer and they’re sure to respond with their “great” idea for a novel. (That tendency may be why I rarely tell people what I do for a living, but that’s another blog for another day.)
After so long in the industry, I have learned some overarching truths. Here are my top 10 lessons learned.
Editing can be fun, but it also can be tough. It’s an emotional phase of the writing process that can batter a writer’s spirit. Not all of the time. There will be projects that are easy to write and edit, but I’m not talking about those projects today. Today I’m talking about those larger beasts that tear at a writer’s soul. The projects that make us question whether we can write and why we want to do this in the first place. Those projects are the ones that test our resolve to write.
You could argue that three is the most powerful number in the world. It is found throughout literature, music, and movies. It is the reason Mozart’s music, filled with major and minor thirds, soars. It is what governs photographic composition. And it forms the basis for most story structures.
Editing someone else’s work is always easier than editing your own. When I review someone’s manuscript, I can always see the flaws, the errors in grammar, the leaps in story logic, the stalled through line. It jumps out at me demanding attention and comment.
The same thing does not always happen in my own writing.