NaNoWriMo is over. So what now? This series lays out a game plan for revising your manuscript. The first blog covered the initial steps to take. Now we’re moving on to editing, starting large and moving toward the smaller details as we go. The final blog will cover the final steps of manuscript preparation.
You’ve made it. It’s finally December and NaNoWriMo is over. You did it. Or you did something. It doesn’t matter whether you reached your goal or fell a bit short. Just because NaNoWriMo is done doesn’t mean you are. There are still many things left to do if you want to turn your words into something finished.
The holiday season is a great time to give writing- and reading-related gifts. Here is a quick list of ideas.
There’s a writing axiom that states everyone should learn the rules before they break them. I happen to agree with this rule. But I also believe in breaking rules. It’s a tenuous position for a blogger who focuses on how to write. Today’s blog is about what I truly believe.
Trust your instincts.
The past few blogs we’ve focused on complications, tension and raising the stakes. Now we’re going to look at how that plays out by breaking down a fairy tale. We’ll begin with Goldilocks and the Three Bears.
The story typically starts out with the bears discovering their porridge is too hot and deciding to go for a walk, leaving their home unoccupied. I say typically starts out because there are many versions of this tale, each with its own quirks and variances. But let’s work with this opening as the hook. Talking bears who live in a house and eat porridge. Check. I want to read that.
This blog examines the types of stakes you can use to raise tension to its highest levels.
A good place to begin is with some questions:
What happens if the protagonist fails?
What is at stake? Personally? Publicly? Morally?
Why can’t your protagonist just walk away?
Tension is a key element in storytelling. It’s that strain and uncertainty that hooks the reader. What’s making that creaking sound? Will the hero save the world? Can the kidnapped boy escape before the villain returns? Will the heroine ever recover from the spell the witch cast or is she doomed forever?
Putting your characters in peril pulls your reader into the story and makes it interesting. When there’s no tension, stories can feel flat or boring. But how do you add tension to a story?
Part one of this two-part series focused on tips you can use before NaNoWriMo begins. This part looks at what to do during NaNoWriMo to increase your odds of succeeding, though the tips work equally well for writing a first draft any time.
It’s almost November when hundreds of thousands of writers will take on the challenge of writing 50k words in a single month. It’s not a small undertaking, but one that is easier if you have a plan.
Exposition is the part that holds stories together, the bit that introduces information the reader needs to know to understand the plot. It’s the detail that cannot be contained within dialogue or action. Exposition is why a story makes sense.
It’s October and writers everywhere are scrambling to prepare for NaNoWriMo—that one month when dreamers put pen to paper and write. Fifty thousand words in thirty days. It’s a glorious, exhausting plunge into writing that I highly recommend trying.
The trick to NaNoWriMo is to take the motivation you feel during November and experience it throughout the year when it’s back to just you and your words. No fellow writers feeling the pressure. No write-ins or all-nighters with like-minded folks. No common goal for the month.
Context is everything in stories and in life. In the last blog, we explored the relationship between context and complication. This time, we’re going to examine the ways to establish context within your story.
There are two ways in which context affects story—the context of the plot (or event, in the case of nonfiction) and the context of character.