by Susan Lovett | Mar 13, 2018 | Scriptwriting, Writing |
In film, producers often use loglines to discuss the content of a film. A logline is a summary of the dramatic narrative in a story that makes it easier to encapsulate the idea and sell it. Basically, a logline is the core essence of your story in 25 words or less—the shortest form of narrative summary.
by Susan Lovett | Feb 27, 2018 | Writing |
I am against censorship of any form. Even the idea of censorship makes me angry. I’ve shared about this before in a blog about Banned Books, which was a blog about external censorship. Today I want to talk about the more insidious form of internal, self-censorship.
by Susan Lovett | Feb 20, 2018 | Writing |
They say imitation is the highest form of flattery, but I think they are wrong. Too often this sentiment leads to people trying to be someone they are not. In writing, it means imitating their writing style or voice to tragic ends. We’ve all seen it—copycat novels and writers trying to be the newest (insert famous author here).
by Susan Lovett | Feb 6, 2018 | Writing |
Somehow sitting down to plot a story always feel like an intellectual exercise. It’s a logical timeline of things that happen and the resultant consequences. But the trick to telling a good story does not come from the head—it comes from the heart.
by Susan Lovett | Jan 16, 2018 | Blog, Writing |
You want to get your work out there. You want to gain an audience. You want to build a platform. And so you post. It’s so easy. There are countless platforms and opportunities from personal blogs and websites to sharing sites, like Wattpad, not to mention digital media outlets. The problem is reckless posting can undermine your ultimate goal.
by Susan Lovett | Nov 28, 2017 | Writing |
Being a writer requires a strong foundation in many things. It’s more than banging out a few lines and hitting post. Like any profession, there are basics every writer needs to master. Grammar is your foundation, but there’s so much more.
Story doesn’t rely on how to use a semicolon or the definition of a dangling participial phrase. It needs understanding and ideas that come from a broader education and perspective.
by Susan Lovett | Oct 31, 2017 | Blog, Writing |
Last week, I shared my reasons for joining the National Novel Writing Month (NaNoWriMo) Challenge to write a 50k book in 30 days. But I have more to say about the benefits of taking on such a large writing challenge.
Anytime you can set aside a chunk of time to write is a good thing, but dedicating an entire month to a huge goal allows you to be heroic about it.
by Susan Lovett | Oct 10, 2017 | Writing |
Clients often ask me about my process, wanting to know how I am going to spend my time on their project. It’s not an easy answer. I approach every project differently depending on what I’m writing. A script is different than a speech, which is different from an article or blog. There is no one answer. But there are basic steps in common.
by Susan Lovett | Oct 3, 2017 | Writing |
There are basic details I need before I start any project. They determine how I begin and how I set up the piece. It also sets up my process, which I will discuss next week.
These are the top seven things I need before the first word is written:
by Susan Lovett | Sep 19, 2017 | Writing |
I know a lot of writers who excel when pressured by the clock. There’s something about crunching a deadline that spurs the creative juices.
by Susan Lovett | Sep 12, 2017 | Writing |
The best writing transports us to another world, another life, another experience. The only way to reach this level of writing is to change the way you interact with the existing world.
So often we go through life focused on facts, our phones and our to-do lists and not the moments as they pass. We’re too busy looking ahead or behind to see what is. The sad fact is few of us are truly engaged in our lives. It’s one reason we are so often surprised by how quickly time has passed. Where did the summer go? It’s Christmas already?
by Susan Lovett | Jun 27, 2017 | Writing |
Setting is key in any story, whether you’re talking novels or films. Setting is what gives a story a sense of place, ambience, mood and texture, so picking the right location is everything. Stories set in New Orleans are vastly different than those set in New York or Hong Kong. Even neighborhoods have different nuances—think Chinatown versus Greektown or Queens versus the Bronx.