The Five Phases of Big Picture Editing

The Five Phases of Big Picture Editing

Editing can be fun, but it also can be tough. It’s an emotional phase of the writing process that can batter a writer’s spirit. Not all of the time. There will be projects that are easy to write and edit, but I’m not talking about those projects today. Today I’m talking about those larger beasts that tear at a writer’s soul. The projects that make us question whether we can write and why we want to do this in the first place. Those projects are the ones that test our resolve to write.

The Throughline: What It Is, Why You Need One, and How Do You Create One? (Part 2 of 2)

The Throughline: What Is It, Why You Need One, and How Do You Create One? (Part 1 of 2)

The throughline is a single thread that winds through your story and off which everything else hangs. It drives the writing and organizes the plot, action and character development. The throughline is the main motivation driving the protagonist toward the ending. It is what holds your story together so it can be a story instead of a random collection of anecdotes and scenes. A good throughline is how you propel your story forward in a way that makes sense.

Three Questions to Ask Yourself If You Want to Be a Writer

Three Questions to Ask Yourself If You Want to Be a Writer

Lots of people talk about writing and being a writer. They dream about book signings and being famous, the photo on the back of the cover, the money. What few do is embrace what it takes to get there. The hard days/nights of work and the roller coaster of emotions that are inevitable. Even fewer actually sit down and write.

If you want to be one of this small group, ask yourself these three questions:

Interrogating Your Characters: How Asking Questions Will Lead to Stronger Writing (Part 2 of 2)

Interrogating Your Characters: How Asking Questions Will Lead to Stronger Stories (Part 1 of 2)

The only thing that matters in fiction is why. Why does what is happening matter to the protagonist and other characters? Why should we care? It’s not enough for things to happen to your characters. You have to know what it means to each of them and how it affects their lives. This means you need to know what makes your characters tick. Why they make the choices they do. Why they react the way they do. Why they don’t just walk away.