This blog had a variety of titles: Be you. Follow your heart, not trends. Write for more than the money. My problem picking one was because they all fit and boil down to the same thing: write what moves you. Write the story that keeps you up at night and won’t let go. Write the character who whispers in your ear. Write what intrigues you.
Oh, the dreams are big. Quit your job. Write all day. Make a living in your PJs, working your own hours. It’s so romantic. So appealing. The image of the writer is part of why so many people want to embrace the life of a freelance writer or novelist.
Ideas are needy. They’re like flowers that cannot be rushed from seed to bloom. Like a flower needs good soil, sun, water and time, ideas need imagination, nourishment, and to exist in the real world on a page or screen. They also need time.
Ideas are everywhere. If you doubt that, just tell someone you’re a writer and they’re sure to respond with their “great” idea for a novel. (That tendency may be why I rarely tell people what I do for a living, but that’s another blog for another day.)
After so long in the industry, I have learned some overarching truths. Here are my top 10 lessons learned.
Editing can be fun, but it also can be tough. It’s an emotional phase of the writing process that can batter a writer’s spirit. Not all of the time. There will be projects that are easy to write and edit, but I’m not talking about those projects today. Today I’m talking about those larger beasts that tear at a writer’s soul. The projects that make us question whether we can write and why we want to do this in the first place. Those projects are the ones that test our resolve to write.
You could argue that three is the most powerful number in the world. It is found throughout literature, music, and movies. It is the reason Mozart’s music, filled with major and minor thirds, soars. It is what governs photographic composition. And it forms the basis for most story structures.
Editing someone else’s work is always easier than editing your own. When I review someone’s manuscript, I can always see the flaws, the errors in grammar, the leaps in story logic, the stalled through line. It jumps out at me demanding attention and comment.
The same thing does not always happen in my own writing.
In my business, I am not always the first call and I like it that way. Call me weird, but I love being called in to fix writing that isn’t working. Luckily, there always will be those clients who think they can write their own scripts, speeches and manuscripts. They think taking English classes in high school and college means is enough preparation, and sometimes it is. Then again, sometimes it is not.
I have a friend who asked me recently what he should write, not because he did not have ideas, but because he had too many. I suggested he write what kept him up at night—the idea that begged to be put on the page, the one that would not let go. When he complained writing was difficult when he was distracted by the multitude of ideas I referred him to my favorite book about writing: Letters to a Young Poet by Rainer Marie Rilke.
Last week I shared my favorite gadgets and gizmos. This week I am focusing on programs. While I am not a huge user of apps, I do find a few helpful and have looked into other that I don’t use yet but plan to add to my capabilities.
I am the first to admit I am not enamored of all things electronic. I tend to be a bit old school, but I do have my favorite things, which I am going to share today.
The reason I am not fond of many gadgets and apps is that I find they confuse things and make them harder than they should be or at least more cumbersome. When it comes to research and writing, I like to keep things fairly simple, but that is not to say I don’t use technology. I do and the things I use I swear by. Don’t try to take them away from me. You will get hurt.